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Features Introducing NEM3SI$’s new label Infinite Resistance! Mindbenderz talk ‘Lord of the Rings’ and fishing, as well as the creation of their new album ‘Celestial Gateway’! Iono-Music artists One Function, Eliyahu, Invisible Reality and Dual Vision talk Robert Miles, kids, dogs and vinyl, while we chat about their current releases! Luke&Flex talk influences, the Irish rave scene, why Flex wears a mask and Play Hard, their new EP out now on Onhcet Repbulik Xtreme! Lyktum expands on his new album ‘Home’ – talking about his love of storytelling, creating new harmonies and the concept behind his musical works. Pan talks getting caught short crossing the Sahara, acid eyeballs and tells us Trance is the Answer, plus shares his thoughts on his latest release 'Beyond the Horizon' - all from a beach in Spain! Miss C chats about living with the KLF, DJing in a huge cat’s mouth, training her brain and the upcoming super-duper Superfreq Grande party at LDN East this Saturday, 16th September! NEM3SI$ - I Live for the Night – talks superficiality, psychopaths, and bittersweet success, ahead of a plethora of evocative, emotional, and passionate upcoming melodic techno releases! Psy-Sisters Spring Blast Off! We talk to DJ competition winner ROEN along with other super talents on the lineup! Blasting towards summer festivals with Bahar Canca ahead of Psy-Sisters Spring Blast! Shyisma talks parties, UFO's, and Shotokan Karate ahead of his upcoming album 'Particles' on Iono-Music! SOME1 talks family, acid, stage fright and wolves - ahead of his upcoming album release ‘Voyager’ on Iono-Music in February 2023! The Transmission Crew tell all and talk about their first London event on 24th February 2023! NIXIRO talks body, mind and music production ahead of his release 'Planet Impulse' on Static Movement's label - Sol Music! Turning the world into a fairy tale with Ivy Orth ahead of Tribal Village’s 10th Birthday Anniversary Presents: The World Lounge Project The Psy-Sisters chat about music, achievements, aspirations and the 10-Year Anniversary Party - 18/12/22! A decade of dance music with Daniel Lesden Earth Needs a Rebirth! Discussions with Psy-Trance Artist Numayma Taking a Journey Through Time with Domino New Techno Rising Star DKLUB talks about his debut release White Rock on Onhcet Republik! PAN expands on many things including his new album 'Hyperbolic Oxymoron' due for release on the 14th April 2022 on PsyWorld Records!

Interview with Latex Zebra Reported by Sharon B / Submitted 16-10-03 14:31 For the last couple of years Zoology has been rocking South London and the 414 to its roots every first Friday of the month. November sees this popular and diverse event celebrate its 2nd birthday in style and at the forefront of the event is none other than Vinyl Zoo’s Latex Zebra (aka Dan Nugent). With his individual style, that incorporates a range of sounds including European Techno Trance and Acid, Latex Zebra has managed to corner a niche in the market that makes him stand out as both a promoter and DJ. Sharon B took some time out to ask Latex Zebra about his DJ career, recent track productions, plans for the future and Zoology’s forthcoming birthday. Sharon B: When did you first get into mixing? Have you always wanted to be a DJ? How did you first start out? Where did you play, what night, venue, date, etc? Latex Zebra: I started going clubbing in the early 90’s and had a few mates with decks. Never really took it seriously as I was just into going out and having fun. In late ‘94 a close friend got some belt drive decks and I really got the bug. Before I knew it, I had borrowed a very large amount of money from my bank and had a set of gleaming 1210s (which I still own) and about 100 records. I locked myself away for about a year until it all clicked into place and I could mix. In ‘97 after meeting some new friends I managed to get a gig at a party called Man Made Noise, a Techno Party on Edgware Road. It went very well, though my mixing was a little shaky. I then shied away from the club scene for a while and helped set up underground parties at a St John Ambulance hut, kindly loaned out by (Chris) B.S.E’s parents. I met (Richard) RedCaT at one of these parties and after a meeting with him and B.S.E, Vinyl Zoo and Zoology were born. SB: Has music always been a big influence in your life? What’s the first record you bought? Either dance or non-dance music? LZ: Yeah, though I have a shameful history of listening to cheesy pop in the 80s. I was into rock for a brief while. I’ve always had an affinity for electronic music, though I was never really into Hip Hop, Depeche Mode or Kraftwerk who always seem to pop up in people’s influences. My first record was probably a Womble’s album or Star Wars when I was about 4. SB: How would you describe your style? Are you still experimenting with sounds or do you feel you have found your niche and are happy to stick with it? LZ: Whilst obviously reading what the crowd want, I impose my taste in music on them really. I’m confident enough, or should that be arrogant enough (!), to believe that I have good taste in music and just try and play what I think are the best tunes. I’ve gone from playing House, US Garage, Trance, Hard House and Acid Techno. To be honest if I think it’s a good tune I’ll buy it, even if I’ll never play it out. I’m happy with my current sound and it has taken me years to amass enough tunes to play a variety of sets consisting of it. I like to think I will evolve and won’t still be harping on about how wicked Euro Trance is when it is long forgotten. SB: How important is it for a DJ to find their own sound? Do you think that once a DJ finds the right sound for them they should stick with it or is DJ’ing more about evolving as an artist? Do you still consider yourself to be evolving or do you feel confidant that you have arrived at the right sound and style for you? LZ: I’m always annoyed by DJs that just seek the most upfront tunes and bang them out without any thought of whether they’re any good or not. I like to think a DJ should only want to play excellent tunes, be they old or new. Of course it is important to evolve but some people will find a niche and stick with it. I do also understand that because I play a slightly more unusual genre it’s easier for me to do this. The equivalent of a UK Hard Trance DJ playing with my mindset would still be playing Revolution every set. There is room for DJs who want to expand like Fergie has or for those that stick with the same sound constantly. I think I’ve discovered the sound that suits what I want to say but it does vary. I don’t just play Euro Trance or Acid as some people seem to think. SB: What would you consider to be the highlights of your career so far? What are your most memorable DJ moments? LZ: Every set is memorable for one reason or another. Any time you walk out of the booth and see people edging towards you to speak to you, that makes things worthwhile. Being such an egotist I remember everything anyone ever says – good or bad. Playing after Wag is probably my favourite set but I really enjoyed my set at the first Milkology @ Crash – I think that was the first time a lot of people from this site actually ever heard me. SB: Who or what are your biggest musical influences and who do you look to/aspire to on the hard dance scene? LZ: DJ Wag is without doubt my favourite producer. He does have a very rigid sound so I can only play a few of his tunes each set. DJ wise, I don’t aspire to be like anyone, there are enough DJs trying to be someone else, I’ll stick with being original if I can. SB: You favour the more European techno trance side of things, what is it about this particular genre that draws you to it? LZ: The warmth. UK Hard Trance is full of energy and huge rushes. The European stuff with its fat bass lines and soaring synths really get the emotions going. I do also like big screaming tunes that mess with your head. Only seem to get stuff like that from Europe – Come on UK Producers – mess with my mind. SB: How do you prepare for a set? What goes through your mind as you pack your record bag? Do you plan ahead and construct a set or play by ear or a mixture of both? LZ: Yoga! Sorry just kidding. I try and find a nice balance of uplifting tracks, hard stuff and mess with your head tunes. I will obviously tailor it to the party I am playing for. I might plan a first tune or know a mix I’ll try out but I never plan my set. I can’t understand why you would want to. You have to follow the crowd’s responses. I always like to take a few unusual or older tracks to surprise the crowd. SB: You are mostly renown for your solo sets. Do you ever play back-to-back? If you could choose any DJ to do a back-to-back set with who would it be and where would you most like play? Would you prepare differently for a back-to-back set than to a solo set? LZ: I play b2b every month at Just Groove for 3 and half hours with RedCaT and occasionally b2b with the other Zoo residents. I suppose it’s harder for me as I can’t just slot in with most other DJs. That said I’ve played alongside Daegal Brain and Tin Tin and had excellent fun on both occasions. I wouldn’t mind doing a b2b with Charlie Rox, Tony Burt or Matt Silver. Also any of the German guys, if only to show them how to mix their own music. SB: What three tracks are you currently playing out that get the biggest cheers on the dancefloors? Are there any tunes that you play that you just can’t help yourself from reaching for the skies and grinning from cheek-to-cheek? LZ: Tricky…….. all the tunes I play make me smile, I wouldn’t play them otherwise. Most stuff is from the last few months. I was lucky enough to get CDR of Oblivion by Shaf De Bass & MISTER E – That rocks. Also Y.O.M.C – Baila and the most recent release on Raptor – Voices in the Dark. SB: How important is stage presence? Some DJ’s really give it some welly behind the decks whilst others are more centred and focus. On a personal level, which do you prefer to see on a stage? LZ: I used to think that a DJ is there to play records not to bounce around the booth like a thing possessed. Personally I can do a whole set looking really miserable – believe me though I’m not, I’m concentrating, German Trance can be a bugger to mix! I have been known to let loose and have a mad one behind the decks. Most of the time you’ll find me dancing away but not going crazy…I’ll leave that to Mark E.G SB: If you couldn’t DJ, what other creative outlet do you think you would have followed, if any? LZ: I’d like to be a writer and I hope to write a book one day. About what, I have no idea. Anyone who chats to me on the forums pages or is wading through this can probably tell writing down my thoughts is not something I struggle with. I’m fortunate enough to prepare reviews for Harder Faster and Bubble Jam which gives me an opportunity to write about the things I love! SB: Not only do you DJ but you are also a well respected producer with your last track Supersonicus received storming reviews from Andy Farley and Ali Wilson and was supported by a great many DJs. What first got you into production and what was the first tune you ever made? LZ: One well reviewed release does not a B.K make – but cheers! I’ve always plinked around on keyboards since I was a kid. I’m not child prodigy though, just a kid with tone deaf parents. I moved into a house with a studio in it in the late 90’s and got into it that way. I’d always wanted to have a go. It was my wife, Yvette, who actually pushed me to go into a proper studio and try my hand at it seriously. SB: As a producer you have 13 tracks to your name, some solo work and some collaborations, which of the tunes that you have produced are you most proud of and why? LZ: I like them all for various reasons. Favourites would have to be “Shadow Boxer” with DJ Widow (my wife), “Zoology” a collaboration with RedCaT and B.S.E (unreleased) and “Monkey Finger” as WaD a collaboration with a mate, Woz, who doesn’t really like dance music!. SB: Any more productions in the pipeline that you can tell us about? If you could collaborate with any artist on a new tune who would it be and why? LZ: Yeah, I’ve just hooked up with a guy who has a home studio and we are working on quite an uplifting Trance track with a nice Euro feel. We then hope to do a proper Trance track and maybe a Drum & Bass one. I like to keep it different if I can. Whether we’ll go onto release them, only time will tell. I would love to collaborate with DJ Wag, Scot Project, Uberdruck or Tony Burt & Matt Silver. I’m waiting for that phone to ring………? SB: Do you feel it is important as a producer to have a signature sound, something that will make a listener instantly recognise the tune as being one of your productions? I apparently do, without really being aware of it! Yvette can tell any track I’ve had anything to do with in about 30 seconds. I suppose it’s my 80’s synth pop heritage coming back to haunt me. I seem to be good at arrangement and finding little riffs but always stumble on finding decent sounds, well in my opinion anyway. SB: Which do you prefer – DJ’ing or producing? If you could only do one from now on, which would it be and why? What do you consider yourself to be better at? LZ: DJ’ing, without a doubt. I would rather DJ than produce but I have fun doing both. I am at best an OK producer whereas I’m up my own arse enough to believe I’m an amazing DJ. SB: Many people on the hard dance scene would say that it is receding back to it’s original roots with larger clubs closing down and people favouring more intimate venues. You yourself seem to enjoy playing for the smaller parties such as Vinyl Zoo, Milk etc. What is it that you prefer about these events and do you welcome the return to a more underground status? LZ: I don’t chose to play just in smaller clubs, the big promotions just haven’t bloody booked me yet!…Hello out there Book me, you’ll be impressed, the crowd even more so. I do love playing at small parties though, it’s great being close to the crowd, I love mingling before and after my set, if only to fish for compliments. I honestly believe that even if I was playing to a 3,000 person venue each weekend, you would still find me in Club 414 the first Friday of every month or at the George IV on a Sunday. The underground vibe doesn’t have to be restricted to small venues though, Logic have proved that time and time again. SB: Where do you see the future of hard house/dance and indeed, where do you see yourself going over the next 12 months or so? LZ: I have no idea. I can’t see it suddenly collapsing. I can see a lot of parties that aren’t offering anything different finishing. Likewise with the huge amount of up and coming DJs, if they don’t show themselves to be a little different then they just have a harder job competing with those who have already established themselves. I’m planning on making the step up and doing more larger venues. I’ve played for a large percentage of the smaller underground parties and now think I’ve earned the chance to see what I can do on a bigger stage. I can’t see my sound changing much, though there are a few styles I am tempted to experiment with. I hope to do some more Classic Trance sets, maybe some Classic House and I’m just itching to do an 8 hour set outside of a house party. SB: What are your opinions of the dance scene at the moment? Are we witnessing the demise of the Superclub and the return of the rave with smaller parties and warehouse events becoming the more popular option for venues? LZ: I’m probably not best qualified to answer that, as I don’t venture to many Superclubs. The big events like Logic and Frantic seem to be doing better and better, while the little guys seem to struggle. I suppose because it’s easier to throw a small party these days, the potential for failure is larger. People tend to focus on the negative so if a few labels or parties fold, it’s the end of the world. There has to be space to breath and if the scene is over saturated then maybe we will see the demise of both big parties and small. SB: With more and more DJ’s and producers creating their own work and playing out on CD where do you see the future of DJing heading? Do you believe Vinyl will go the way of the 8-track and soon be extinct? Do you welcome the technological progression with the introduction of CD mixing or do you think that we will be losing one of the most unique and important aspects of clubbing? LZ: God I hope not. I’ve just got my head around mixing CDs. Obviously with Vinyl being more expensive to produce than CDs, there is always a danger. I can’t see Vinyl dying out, especially with deck sales increasing all the time. Again it will be the labels producing good quality tracks that will survive and those that are producing the more experimental weird stuff will probably end up on CD. What do I know though? SB: You are known as the brains behind the DJ line ups at Zoology and have picked 99% of all guests so far. According to your profile you were the one who convinced DJ Wag to play his first London gig at 414! Where do you look for guest DJ’s and what do you look for in a DJ that makes you want to book them for your event? LZ: I’m not often known for being the brains behind anything (!) but I do pick most of the line ups. We all have to agree on the DJs and set times to keep things fair. DJ Wag came about because we had been looking at bringing a big guest to Club 414, and thought how cool would it be to have “BIG NAME DJ” on a flyer at 414? I was surfing the web one night, went onto Wag’s site and just sent a message through the site. The next day I had a reply and a week later the contracts were signed. He was eager to come over and was a really nice guy who did the business. SB: How did you get into promoting and what do you think are the pro’s and con’s of putting on an event? What advice would you give to any would-be promoters out there about the joys and perils of putting on your own night? LZ: B.S.E used to have access to a St John Ambulance hut and we held about 30 parties there, with our mates DJ’ing. That was our baptism of fire and it just got bigger and bigger until we became confident enough to move on. When we launched the record label we had a party to celebrate at The Office Bar and it was such a success we were told in no uncertain terms to sort out another. B.S.E did the leg work and got 414, RedCaT sorted the promotion and I arranged the first few line ups. The rest as they say is history. SB: What would you describe as your ethos as a promoter and can you give us some background information for those readers who are not familiar with Zoology or Vinyl Zoo? LZ: We are throwing the kind of party we would like to go to. A mixture of musical styles, well mixed by both established DJs and newcomers. We are lucky to have a good, regular following who are a very happy and friendly bunch. By the time other guests start arriving the party is in full swing and it’s hard not to get carried along with that vibe. As promoters we are always available at the party (usually on the dance floor), so that people can chat to us and give feedback good and bad (although hopefully not the latter). We have as much fun as everyone else! SB: What future plans do you have with regards to Vinyl Zoo? Where do you hope to be in say 5 years time? LZ: I hope that we are still monthly at 414, I think it would be a shame to just move to a bigger venue, not matter how successful we become. It would be nice to throw a few huge parties each year and still stick with how we run our parties now. I’d like to be able to give an up and coming DJ a peak time set at The Fridge, rather than making them warm up as always seems to be the case. As for the record label, that’s on hold at the moment. Maybe towards the end of next year we’ll look at a re-launch. We’re doing something right with the parties and spreading our time over two things might make them both suffer. SB: Zoology is now looking forward to it’s 2nd Birthday in November and according to rumour has something pretty special lined up – care to share with our readers what that may be? LZ: Well we did have Tony Burt from Above the Sky coming to play for us. Unfortunately he neglected to put it in his diary and will be in Oz instead. Still, no hard feelings and he has offered to come back for us as soon as possible, probably February 2004. Instead we offer you our four residents (RedCaT, B.S.E, The Future Sound of Elvis and myself) with guests Dom Pardey, Paul Reeves and Dave Lochrie. A fantastic line up me thinks! There will be tons of birthday pressies, CDs etc. The brand spanking new Zoology T-shirts should be on sale as well. If you’re interested, send us an email. SB: There has been a rise in bedroom DJ’s and female DJ’s over the last 12 months – how do you feel the scene has changed with this sudden influx of new talent? Do you feel the market is getting saturated or do you welcome “fresh blood” on the scene? LZ: I welcome fresh blood but only if it is bringing fresh ideas. We will always support those up and coming DJs that have a bit of spark. We have never shied away from booking female DJs either. In fact we have booked lots. Sex is not an issue behind the decks….there generally isn’t enough room. The main problem is that for all the movement at the bottom of the DJ ladder there is very little change at the top. Most of the big names deserve their success but there are a few that are either not actually any good or just creaming it for the money. That’s a shame. I’ve always said the minute it stops being fun and feels like work I’m stopping. SB: What advice would you give to any up-and-coming DJ’s about the hard dance scene/Industry? What is the best bit of advice you have ever received? LZ: Be different! That’s all you need to know. As for me, I’ve never really had any advice from anyone on the scene. I did receive an interesting piece of advice from my boss the other day. He said “Stay sharp, always impress women. Remember this for the rest of your life.” I’m not sure what the hell he meant – very Swiss Tony. I don’t imagine I’ll forget though. SB: Who do you think has made the biggest impact over the last 12 months and is there anyone you feel we should keep our eyes on over the next year with regards to the scene? LZ: All the Zoology Residents. The Future Sound of Elvis, appeared out of nowhere and blew us all away. I feel bad only mentioning a few others here as I could list about 50 DJs I respect and quite a few promotions. Tin Tin, Daegal Brain, Dom Pardey, Shaf De Bass, Flip, Slacky and G-whizz. Loads more. SB: If the hard dance scene collapsed tomorrow what other career do you think you would pursue? Would you still be in the music industry or would you follow another avenue entirely? LZ: Well once I’d finished crying my eyes out, I would probably end up either writing or stuck in an office. If I could do that in the music industry it would soften the blow. SB: What are your opinions on hard dance sites? Do you think they influence the Industry and do you look to them for feedback/promotion etc? How vital are they to you as a DJ and promoter in broadening your fan base/reaching a wider audience? LZ: Given how much time I spend posting on the forums, it’s fair to say I love them. I’m a nerd so love surfing away and having sites like this just make it even harder to lead a normal life. As a DJ I think I rely too much on feedback from these sites. I’m always disappointed if my name isn’t being mentioned when other DJs are. That’s just low self-esteem though and I do need constant encouragement. Yvette does tell me to “get a life” at times! From a promotional point of view the sites are obviously invaluable. SB: How do you manage to keep your feet on the ground when you are so involved in so many aspects of the music industry? What does your wife feel about your career? Is it hard having to juggle marriage with your music or do you feel you have a good balance and grasp on everything? LZ: I don’t think my feet are in danger of leaving the ground just yet. I’m not a superstar DJ by a long shot and with 2 years hard work behind us our party continues to go from strength to strength. I think I have a pretty good balance of home life and clubs but Yvette’s probably best placed to answer that question… DJ Widow: Hmmmm how to be diplomatic about this……?! Dan spends a great deal of his time DJing, talking about DJing, thinking about DJing, dreaming about DJing, worrying about DJing, writing about Djing, I could go on? I met him at a house party he was playing at though, so I always knew this was going to be the case. To be honest, I’d much rather be with someone who is passionate about something and I have a great respect for his talent. I am also constantly amazed by the sheer volume of nerdy dance music knowledge he carries around in his head! Dan involves me in everything he does (even when I don’t want to be), so I never feel that dance music is taking over from our marriage. He wants it to be part of our marriage. With my own career though, I can’t be at all the parties he plays at or I’d never get up on a Monday. The dance music scene is an important part of both our lives now. I’d never ask Dan to choose between me and dance music. As I said the other day, he’d be tucked up in bed with his decks before my arse hit the kerb! SB: Any last comments? LZ: Thank you to all who have supported me and those who are just starting to. As a final comment though, if you have taken 20 minutes out of your life to wade through this interview, how about taking another 90 and coming to hear me play out? With thanks to Pink Kitty for the use of her photos Zoology & Vinyl Zoo are 2 on Friday 14th November at Club 414 - for full details click here. Share this :: : : : Follow HarderFaster :: Other Features By Sharon B: What's it all about? Alfie! - Getting Technikal with Alf Bamford Heat UK presents....SW4!!! - Interview with Damian Gelle Interview with TWIST promoter Steve Darragh Interview with Innovate Resident Nick Sentience Interview with Ferry Corsten The views and opinions expressed in this review are strictly those of the author only for which HarderFaster will not be held responsible or liable. Comments: From: DJ Widow on 17th Oct 2003 13:21.43 From: Pearsall on 17th Oct 2003 13:37.34 who is this odd-looking fellow and why is he taking up bandwidth? From: Nathan on 17th Oct 2003 13:59.55 Taking up HF bandwidth is his speciality! Respect to the Zebra, a bloody good DJ and a top man to boot! Party on Dan! From: Elvis on 17th Oct 2003 14:00.51 Excellent master!! you are a true leg-end ! From: timmyd9 on 17th Oct 2003 14:17.24 Absolutely top bloke and excellent taste in football teams......I'm sure his musical tastes will mature one day too From: Jam Gorilla on 17th Oct 2003 15:31.29 Gee Dan! - must say u can answer the questions in the broadest way be bubbling regardless! From: Ian Betts on 17th Oct 2003 16:24.37 Quality stuff guys Big up to the rubberised equine fellow - top bloke, DJ & promoter From: Zi on 17th Oct 2003 17:30.45 Dan when am I getting a copy of "heat wave" ? Bring it down next week if you can. yes good interview. Would like to add, that Figure of 8 (VZ003) is one of the all time 303 greats (IMO ofcourse!). Dan has worked hard to get where he is at. I have seen the effort he ploughs in. Although once, he did ask me for a copy of Cotton Eye Joe on 12" You still want it ? Good Work mate. From: Zem on 17th Oct 2003 17:47.46 OMG well done you I went to one of your partys in the St John Ambulance hut, you did good partys then and with RedCat and BSE on board they have just got better and better. From: Norris123 on 18th Oct 2003 13:40.14 Nice work Dan. Enjoyed reading that...keep up the good work. From: BOPPER on 19th Oct 2003 11:07.55 Wicked interview Dan, Saw you play at Man Made Noise back in '97'.Good to see the Zoo's 2nd b/day on 14nov at 414. Where have all the years gone well done you mate, and all involved in the zoo From: Not Marcus on 19th Oct 2003 11:42.55 Yay Dan! Yay Yvette! Yay Sharon! From: Steve Prince on 19th Oct 2003 12:48.51 now then another good interwiew that i toke my time on sound like this guy is the man From: ~deleted1390 on 19th Oct 2003 16:18.03 Cheers everyone. You realise now I've been interviewed I'm likely to be a bigger pain in the arse than normal. From: Pearsall on 19th Oct 2003 16:30.07 into the future - up your own arse From: James Jaye on 19th Oct 2003 23:34.46 wicked interview Dan.Keep it up mate From: WEBBO on 20th Oct 2003 17:19.37 good interview i dont mind if yr playin european tech trance - keep it up see u on the 14th From: Flip on 20th Oct 2003 18:15.36 wicked interview keep up the good work, and we look forward to January From: Dom on 20th Oct 2003 22:33.36 Latex Zebra - a wise man, a knower of many many things, a beacon for truth and justice. We'd be fucked without him From: RaW on 20th Oct 2003 23:34.40 Great interview mate Really dissapointed to not be there for your guys' 2nd... but I've taken away memories of many fantastics nights!!! Keep it bangin mate and R and I will see you terrorising the crowds down under soon!! From: G-whizz on 21st Oct 2003 09:28.53 Nice one Dan ! all the hard work is paying off aye From: Bagel on 21st Oct 2003 09:41.18 You make some really good points Mr Zebra, cant wait to see what you get up too next. Well done and thanks for the excellent & interesting Interview Sharon From: VZ No 1 Fan (Cheesy but True) on 21st Oct 2003 12:05.16 Me next, me next...... Well done Dan, its been a pleasure.... x From: empty hed on 21st Oct 2003 12:32.21 nice one dan, cant wait to play for you on the 14th m8, congrats on ur success and best of british for ur future projects, just brush ur teeth more cos ur breath smells of onions From: Perpetua on 21st Oct 2003 17:00.30 Great interview my lovely.. i expected nothing less xxx And if any of the 'large' promotors happen to be reading this.......... HELLO!!! This boy's good x From: Karl Alexander on 23rd Oct 2003 09:46.08 nice one Dan !! From: Red5 on 25th Oct 2003 12:27.02 Top interview. Dan, am looking forward to meeting you, I'll be popping down to Zoology for a bit on the 14th From: shazzabazza on 27th Oct 2003 10:38.08 Big thanks to Dan for top answers and excellent interview material! Promoters take note - this boy has talent! From: RedCaT on 27th Oct 2003 20:10.08 top class! Latex at his best keep at it mate From: slacky on 6th Dec 2003 16:02.47 Excellent reading, nice one!

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